Kennedy Memorial Trust
Fundraising publication for the Kennedy Memorial Trust, Britain’s national memorial to President John F. Kennedy, created by Act of Parliament in 1964. The Trust has sent British postgraduates to Harvard and MIT every year since 1966.
The publication is used at their donor and scholar receptions. Editorial layout, typesetting and print-ready artwork, developed within the Trust’s established identity.
Archie’s Empawrium
I’ve been working with a local pet shop in Brighton to help drive more footfall to the store, including these flyers placed in local vets and a QR code sign to encourage Google reviews.
AI generation using Firefly helped to turn a photo of the store into this beautiful wintery scene.
Toby came from a rescue, not knowing he liked toys. Then he found out.
Almost every day, Toby came in with a plan, pulling his owner straight past everything else to the toy display, and then he did it again the next day, and the next. I filmed him over a few months and transformed the footage into a 29-second story.
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Protests Against Authoritarianism
In 2025, I co-founded Mzia Movement and led its content and communications. It brings together more than 30 Georgian diaspora organisations to push for targeted sanctions against the Georgian Dream party and the release of all political prisoners.
The movement’s central figure, Mzia Amaghlobeli is a journalist who was arrested, detained and tortured. Having personally attended her hearing, I built the movement’s identity using a photograph of her from court rather than a portrait. She is set against a large orange circle because Mzia means sun in Georgian.
I purposefully contrasted it with a black circle, the symbol we had been protesting with since the rigged 2024 elections, taken from the ink that leaked through the ballot papers when it was not supposed to. What began as a protest about a stolen election became a movement about political prisoners, authoritarianism and a country being pulled away from Europe.
Alongside developing the brand, I wrote and produced the movement’s communications: campaign copy, social content, video, and a briefing document on Mzia’s case that was presented to Amnesty International in London. I also built the shared template system that lets the whole global team produce consistent content without being tech-savvy.
The Cost of Corruption – Editorial illustration for People’s Gazette addressing corruption and misuse of public resources.
It contrasts political elites’ extreme personal wealth with widespread poverty, highlighting the human cost of political decisions.
Logo and identity for Buki and Nagara, the art-pop project of Ketato Charkviani and Ana Subeliani. Ketato has spent two decades reinterpreting the work of Irakli Charkviani. Ana comes from human rights activism and years of public resistance in Georgia. The music is rhythmic and melodic and carries a punk spirit, so the mark had to express both. The identity is shown here in different formats to test how it looks at different scales.
Freedom Fund – A UK-based fund to support pro-democracy protesters in Georgia. I’ve created their logo and styled their Facebook page.
Chiazzedda
I’ve refreshed the menu for a restaurant in Italy, providing them this elegant new style with an authentic and homemade feel.
Riverjuke
I’ve worked on a new style for this UK-based, global tour management company, including an update to their logo and artwork for their Instagram page, which they’ve started rolling out.
Print brochure and contact cards for Guardstore, a UK classic car storage company. Worked to the client’s existing brand and produced print-ready artwork. A different world from most of my work, and a good example of how the same process applies to whatever the subject is.
Katabalakha
My own personal project for funny (I hope), sometimes political, illustrations built around the theme of taking Georgian sayings very literally. Katabalakha is a word in Georgian that means catnip, but translates literally to ‘cat grass’.
Selection of logo-only branding projects
Sentinel
For this start up based in UAE, I did brand identity work consisting of a parent logo and two sister companies. The project included a final brand guidelines document with colour, typography and some PowerPoint templates.
